We’ll start with more basic riffs and then work our way up to advanced. Going forward, we’ll continue to post different licks structured around various positions of the pentatonic and blues scales. For example, you can slide various notes up and down, hammer on, stretch your fingers to hit three consecutive notes on a string, or just shift your hands up or down on the neck. Experiment with different ways of connecting the positions of the blues scale. Try creating different licks within that position. Master the first position and then memorize the remaining positions one at a time. Also, we recommend you start by learning the first position. That way, it is much easier to distinguish between the two once you add in the extra “blues” note. It’s always a good idea to learn the minor pentatonic scale before the blues scale. You’ll be able to hear how the two complement each other. Start by picking one position from each and switch between the two. In other words, try switching back and forth between the major pentatonic scale and the blues scale when you are improvising. Also, in many country and bluegrass songs, the “blues” note goes very well with the major pentatonic scale. A Blues Scale:Ĭountry and bluegrass lead guitar players love to use the blues scale in their solos. The blue dots in each diagram represent these additional “blues” notes and the black dots represent the scale root notes. The six note (hexatonic) blues scale is the exact same scale as the minor pentatonic scale except there’s one extra note added per octave: the sharp 4th or flat 5th degree. I hope this formula in degrees is more general and helps.The blues scale is made up of six notes per octave. Other answers have provided results in C or another key. The minor pentatonic fits over Aeolian, Dorian, and Phrygian.Īs for blues, the traditional "blues" scale is the minor pentatonic with a flat 5 added, Since we are removing the 4th and the 7th from the list of notes. An interesting note: All the major modes have the same major pentatonic, Ionian, Lydian, Mixolydian. Think of C maj Pent and its relative minor A min Pent. It is easy to check that this is the same result treating the 6 as 1. So, you create the first formula from the second as follows: The minor pentatonic is related to the major pentatonic the same way that a relative minor key (or scale) is related to a major key. This will get you the pentatonics in any key. In terms of degrees of a given (Major) key the formulas are:
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